Music in Cultural Construction: Nationalization, Popularization and Commercialization, Inner Asia 17, Brill, pp.118-140

2014                            The ‘Gong Beat’ against the ‘Uncultured’: Contested Notions of Culture and Civilization in Mongolia, Asian Ethnicity Journal, Taylor and Francis

2013                            A British Officer’s Journey to Urga – 100 years ago, a book translated from English into Mongolia)

2013                            To Share or not to Share: Intra Mongol Dispute over Intangible Cultural Heritage, Journal Studia Ethnologica, Instituti Historiae Academiae Scientiarum Mongoli         

2011                            A “Folk Music Revival” or Popular Music Phenomenon? Journal Studia Ethnologica, Instituti Historiae Academiae Scientiarum Mongoli. Tomus XX, Fasciculus 1-23, pp 272-79       

2011                            The Process of Cultural Production in Post-Socialist Mongolia, Academae, Institute of Philosophy, Sociology and Law, Academy of Science, 2011/2 (05), pp. 165-174

2010                            Hugjmiin Ardyn Bilig Dayarshlyn Erind (“Musical Folklore” in the Age of Globalization)”, Mongolian Cultural Studies and Art Research, Tomus XI, pp. 332-341

2010                            How creative are shamans in music?, Acta Mongolica Journal, Center for Mongolian Studies, National University of Mongolia, Volume 10 (132), pp. 185-192  

2010                            Music, Identity and Place: “Nadmid of Khotgoid Songs” and “Darima of Darkhad Songs”, Mongolian Historical Studies of the 17-19^th Centuries, Institute of History, Academy of Sciences

2009                            On how the horse-headed fiddle became monster-headed and electric in the age of globalization, Cultural Space in East Siberia and Mongolia, East Siberian State Academy of Culture and Arts (ESSACA), Ulan Ude, Russia, pp 141-45

2007                            Types of Musical Elements in Mongolian Shamanic Performance: A case of Shamanic Offering Ritual for Ancestral Spirits. MA Thesis Submitted to the Graduate School of Performing Arts, National Taiwan University of Arts

2007                            The Features of Musical Folklore in Mongolian Shamanic Chanting. Inner Asia. Volume 9, No. 1. /pp. 109-117/. Mongolia and Inner Asia Studies Unit, University of Cambridge

2006                            Concerning with the essence of Mongolian Musical Folklore. Statehood of Nomads: History and Tradition (International conference dedicated to the 800th anniversary of Great Mongolian State). /pp. 210-214/. Ulanbator

2006                            Tunes and Melodies in Shamanic Chants as Musical Folklore. Dialogue in a Modern Era (Conference for Graduate Students). /pp. 92-105/. The Graduate School of Performing Arts, National Taiwan University of Arts.

2006                            Jamtsyn Badraa’s Contributions to the Theory and Methodology of Folklore Studies. Folklorist and Poet Jamtsyn Badraa (Conference for the 80th Anniversary of Mongolian Scholar Jamtsyn Badara’s Birthday). /pp. 132-145/. Ulanbator  

2005                            The Way to the World of Spirits (How music works in shamanic rituals. Researches on Education, Culture and Humanitarians in the East Siberia at the Beginning of 21^st Century. /pp.141-145/. The Baikal Meeting. Ulan Ude

2005                            Concerning an Issue of Ethnomusicology. Scientific Papers of the Choi.Lubsangjab. /pp. 110-114/. University of Language and Civilization. Ulanbator

2004                            Types of Melodies in Shamanic Invocations of the Darhad people. MA Thesis Submitted to School of Mongolian Language and Culture, National University of Mongolia

2003 Interactions between Traditional Cultures in Different Countries. The Journal on International studies. No.4. /pp. 115-117/. Ulanbator

2003 Shamanism in the Urban Life of the 21^st Century. The Unen newspaper. November 28.

2002 Some Issues on the Studies of Mongolian Folk Music. Scientific Papers of the National University of Mongolia. /64-69/. Ulanbator